1. Heroes and
saints attain their status by embodying unique qualities and performing extraordinary
deeds (even if those qualities and deeds are of an absolutely familiar type).
This is not a requirement of celebrity status. Celebrities can become
celebrities without being anything or doing anything extraordinary.
2. Someone can become a celebrity without having any
inherently extraordinary qualities and without having accomplished anything in
his or her life. The central fact of
celebrity is that a person’s talent is separate from his or her status as a
celebrity.
3. A celebrity is someone who is recognized.
A celebrity is someone who is
recognized by a large number of people.
A celebrity is someone who is
recognized by a large number of people whom the celebrity does not recognize.
A celebrity is someone who is
known for being recognized (or who is recognized for being known).
4. In defining celebrity in terms of “being recognized for
being known,” I am borrowing from a ‘famous’ phrase by Daniel Boorstin: “A
celebrity is someone who is famous for being famous.”
I have altered Boorstin’s phrase to
do two things:
1) To emphasize the importance
of recognition as a process;
2) To emphasize the two stages
of this process: being recognized and being known for being recognized.
5. Celebrities are people who are stared at. They are stared
at not for anything they have done, but because they have been seen elsewhere. Celebrities
are people about whom other people say, “I know him from some place.” “I’ve
seen him on TV.”
6. However one first becomes recognized, attaining celebrity
status is dependent upon being seen at events and in the public spaces where
other celebrities are seen.
7. The presence of celebrities ensures that the media will
be present at the event.
8. The relationship of the media and the celebrity is a
symbiotic and mutually-sustaining one. The media creates the environment within
which celebrities are created: no media, no celebrity. The opposite is also
true: the media needs celebrities to ensure that they have an audience.
9. While in the past, involvement in a scandal would
generally have brought public censure, it is no longer a necessary detriment to
the celebrity’s career.
10. There are at least three levels or statuses associated
with contemporary celebrity: celebrities, stars, and superstars. Attainment of celebrity
transcendence is marked by instant, global recognition in multiple countries
and languages, and those who have attained this status can often be identified
by a single name: Brad, Madonna, Messi, Hillary...Apollo, Aphrodite, Hermes,
Athena…
11. The vast majority of would-be celebrities end far short
of permanent attainment of celebrity status and enshrinement in the celebrity
pantheon. Even most of those who actually achieve their proverbial ‘15 minutes
of fame’ are then condemned to live in the faint afterglow of their brief
moment in the spotlight.
12. Fame has its opposite – infamy – which imputes a moral
value to fame. The structural opposite of celebrity is anonymity, and, in that
sense, it has no moral connotation.
13. The Pillars of
Celebrity Culture:
1. Public (in all its forms: The Public, Public Places, Publicity, Public Relations)
2. Performance
3. Pleasure
4. Profit
5. Print
6. Pictures
7. Promiscuity
14. A celebrity is an enigma. The public is intrigued by people whose personality it cannot pin down. A public image that is inconsistent or that contradicts the celebrity's work is ultimately the one that gets the most attention.
ReplyDelete15. Celebrities are people we like to build up and just as quickly tear down. We root for celebrities when they are up, but our own confidence increases more when they falter and tarnish the image of perfection they have worked so hard to attain. With that said however, the public does enjoy a good comeback story (ex: Britney Spears 2007 v. today).
ReplyDelete16. Regardless the impetus (or lack-there-of) for becoming famous, once someone becomes a celebrity, he becomes an actor. His public image has become separate from his private image and he must maintain this separation through constructed emotions and actions in both facets of his life.
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